故(🌠)事(shì )分成三個(✒)章節:主要的章(🍩)節由(🌰)高達親自飾(🕸)演(🛍)導演,正要趕乘飛機(🎹),在(zài )24小時(shí )(🍖)內把一部電影的菲(fēi )林交給監製;(🎏)同時(shí )(🌗)一隊二人(rén )流行(háng )電(⚫)子音樂組(zǔ )合,不斷排練歌曲(👁),最後(hòu )在路(🥄)上表演;另一邊(biān )廂,愚(yú )笨的大(😚)肥佬捲入一宗事件(jiàn ),被神秘(mì )(😱)女(🐖)人密切監視,最後更(gèng )被拘捕。三(sān )段故事看似毫無(💱)關(guān )連,實際是高達(dá )以電(diàn )影來討(✋)論電影製作(🤸)和藝(yì )(🙄)術創作的重要(yào )。片名(míng )看(kàn )似帶(🥫)有弦(👃)外之音,就像高達暗示(⛳),假如監製或(huò )其(qí )他(🚴)人(rén )要干擾導演(yǎn )的藝術創作,就索(suǒ )性我(wǒ )行我素,忠於(🦇)自(😊)己(🈸)的道路(🐛)好(hǎo )了。這大(🥋)概亦示範了高達如(rú )何(hé )純熟地運用電影媒(🐡)體來(🤔)做(📧)評論。 A film in three chapters: Godard plays the director in the main chapter, rushing to catch a plane to pass the negatives to his producer within 24 hours; an electronic duo keeps rehearsing for their roadshow; a clumsy fat man gets involved in an incident, and is arrested after being watched by a mysterious woman. Seemingly unrelated events, Godard is discussing the importance of film producer and artistic creativity. Godard is making the statement that if a producer or anyone interferes with creativity, it is better for the artist to go one's own way. A showpiece of how Godard uses the film media as his critical essay.
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